(تداخل الشكل الشعري العمودي مع الشكل المنثور (تداخل أشكال القصيدة في الشعر العراقي المعاصر

Authors

  • تغريد عبد الخالق هادي
  • محمد عبد الرزاق حمد

Abstract

The poetic text did not stop at the limits of the rhythm, but rather expanded its creators further. Along with rhythm, which distinguishes the form of the poem in terms of theatrical weight, stopping another factor contributed to the development of the text from the above. This factor is the way the text is displayed on the surface of the paper. With modern features, it carries within it the Khalili prosody inherited over thousands of years and written in the manner of poetry scattered (not prose poem), which does not write in a hierarchical way as appears in the writing of vertical text, and this study tried to monitor these models, which took advantages of both forms (weighted) and ( Prose) to come out to us in the form of his intertwined cultural purposes literature As requested by the producers of these texts.

Published

2020-10-09

How to Cite

عبد الخالق هادي ت. ., & عبد الرزاق حمد م. (2020). (تداخل الشكل الشعري العمودي مع الشكل المنثور (تداخل أشكال القصيدة في الشعر العراقي المعاصر. Mustansiriyah Journal for Sciences and Education, 20(4), 87-106. Retrieved from http://edumag.uomustansiriyah.edu.iq/index.php/mjse/article/view/493

Issue

Section

Research Article