النَّص الشِّعري وتحوّلاته الجمَّاليَّ ة من وظيفيَّة الأسلوب إلى التَّوظيف الأسلوبي )دراسة صوتيَّ ة دلاليَّ ة(

Abstract

The purpose of this study is to study the contemporary poetic texts in the light of recent studies in stylistics, to move these texts from a regular means of communication to a technical influence by knowing their characteristics through the vocal and semantic level and to identify some syntactic phenomena in their intellectual, emotional and fictional variations. We deal with the texts as new constructs and semantics, not subject to the stylistic analysis of the ancient functions of science: language and eloquence, but based on the independence of those browns and then linked to the context in which they appear within literary texts. At the vocal level, we explained the relationship of sound in its meaning, and the level of rhythm in the rhythmic structure, in the framework of the subject of primitive repetition. At the semantic level, we stood on the aesthetics of the poet's dictionary, with a precise survey of the abstract vocabulary, The study of the aesthetics of the words through their inspirations and their shadows and shadows and bell. The research also included an introduction and a conclusion to the most important results of the research, as well as a list of references and sources.