The semantic upward movement in the Holy Quran

Abstract

The Noble Qur’an challenged the Arabs in its style, systems, meanings, and compositions, even addressing them that they “do not come like it, even if some of them were at noon” (), and this is not just a speech to the Arabs. Because the Noble Qur’an has been designated an extreme miracle that challenges every person in every time and place, regardless of his culture or literature. It is a miracle that is not limited to a specific artistic standard in one era, and miraculous according to any correct literary artistic scale, and a sound aesthetic taste. The choice of the Noble Qur’an had this term, this system, or that combination of a specific intention, which made the chosen element a stylistic indicator indicating a specific purpose. My research was about talking about the optional miracle of words, or structures, which are organized in a specific context, to market an intended meaning that corresponds to the context and requested by the recipient. Required by the circumstances surrounding the context in which they are presented, by transformative systems, including advance, delay, and increase, or this may be by substituting a place for a word with another word, To depict with these elements a story that occurred, an accident that will happen, a logic of persuasion, a call to faith, a description of the worldly life, or the other, or a perceptible representation in tangible, or a highlight of the apparent or implicit, or a statement of a thought in the conscience, or a visible scene