جدليّة الحركة والسكون والحرف والمقطع رصد وتأصيل لمفهوم المقطع في إيقاع الشعر العربي

Abstract

Abstract

    The modernists have come to realize that the concept of the section of the achievements of the modern voice lesson, accusing the ancient Arab scholars of failing to recognize, identify and establish it, which the research proved, is that they had another view of this concept, starting from a conscious movement of rooting, Sounds, and how these sounds are played in the pronunciation device.

     Therefore, the passage in the ancients is the smallest part of the linguistic material, which has its linguistic characteristics, namely, the beginning with the moving, and standing on the inhabitant. The letter (the singular sound with its movement) is a brick of the blocks of the section. The natural production of language is represented by the continuous sequences of the movement of the parts of the logical system. The movement that produces single sounds is an artificial movement for understanding, analysis, and reasoning. Therefore, the first Arabic sound studies were based on motion and stillness. The movements represent the sequence, The chapter points in the speech series,  For a passage is the sequence between the two silent.